Discover the Latest in Horror, Art, and Cinema in New Issue

The latest edition of Objektiv features an exciting array of interviews, film reviews, and art explorations that promise to engage readers. Highlights include an exclusive interview with Aleksandar Radivojević, the screenwriter of the controversial film “Srpski film”, whose directorial debut “Karmadonna” premiered at the Toronto International Film Festival and won accolades for Best Direction and Best Screenplay at the Sydney Film Festival.

New Releases and Artistic Journeys

This issue also delves into the world of horror with a review of “Black Phone 2”, a sequel that many consider unnecessary yet intriguing for fans of the genre. The exploration continues with a third installment of stories from Ireland, where readers can enjoy a tour through Dublin’s galleries, featuring notable works alongside the preserved studio of artist Francis Bacon, along with masterpieces by Caravaggio, Titian, Rembrandt, Van Gogh, and Monet.

Anime enthusiasts will find excitement in the review of the hit series “Gachiakuta,” which captivates with a lush storyline set in a world of waste, marking it as a potential standout shonen of the year. Additionally, the edition discusses the crime thriller “The Woman in Cabin 10,” an adaptation criticized for its superficiality, featuring the performance of an often-irritating Kira Knightley.

Exploring New Frontiers in Film and Music

Readers can also embark on a journey to Alaska through the series “The Last Frontier,” a series that has been described as overly drawn out but attempts to tackle themes of neo-Western ideology. The edition reflects on “Stories from the City, Stories from the Sea,” an unforgettable coming-of-age album by Pi Jey Harvey, released over two decades ago. In celebration, we mark the 25th anniversary of “Hybrid Theory,” the debut album from the iconic band Linkin Park.

Furthermore, the London Film Festival is examined, where the publication covered films and panels featuring acclaimed director Richard Linklater. This edition also pays tribute to “Mrtvi grad,” directed by Velimir Stojanović, which holds the distinction of being the first Montenegrin film to win a major international award over 70 years ago.

For these stories and much more, readers can access issue 494 of Objektiv online. Enjoy the exploration of art, film, and personal journeys that shape our cultural landscape.