New Film “Potop” Explores Montenegro’s Environmental and Social Divides

The premiere of Dusanka Belada-Boskovic‘s first feature film, titled Potop, took place on November 26, 2023, at the Sinepleks cinema in Podgorica, Montenegro. The film dives deep into the collective consciousness of Montenegrin society, raising challenging questions about identity, ecology, and the chronic divisions within the community.

“Potop” revolves around the urban and ecological controversy surrounding the proposed flooding of the town of Savnik due to a hydroelectric power plant project, prompting a referendum on the matter. Produced by Radio-televizija Crne Gore (RTCG), Belada-Boskovic avoids offering simple answers or taking sides. Instead, she crafts an atmosphere where nature emerges as an equal character, with water symbolizing the unseen fears of loss, helplessness against systemic pressures, and the suppressed need for understanding.

In a conversation with the media outlet Pobjeda, Belada-Boskovic elaborated on the significance of the title “Potop.” She explained that the residents of Savnik witnessed the flooding of the nearby town of Pluzina during the construction of the Piva hydroelectric power plant in the 1960s. This historical event sparked polarized opinions: for some, it marked the beginning of development, while others viewed it as cultural genocide. Today, the situation mirrors that past, with differing views on the proposed flooding of the river. The director intentionally left the title open-ended to provoke thought.

Belada-Boskovic noted that Savnik is situated at the confluence of three rivers, which the film portrays poetically. She aimed to give the waters of Savnik a magical, almost surreal presence, while a character in the script personifies the free river. Therefore, the title “Potop” represents not just water as a destructive force, but also the invisible threats that could undermine societal values and relationships over time.

After the film’s premiere, Belada-Boskovic commented on what she perceives as a significant issue within society: a “black-and-white world,” which hinders genuine dialogue. She emphasized how rigid beliefs and differing opinions prevent constructive communication. Through the film’s characters and their conflicts, Belada-Boskovic illustrates this polarization, suggesting that greater openness and willingness to listen to one another could significantly improve societal conditions.

The film also emphasizes the symbolic role of nature. Belada-Boskovic expressed concern that Montenegro operates as an ecological state only on a declarative level. Many citizens still lack a developed sense of responsibility towards the environment. Through stunning visuals of the country’s natural beauty, the film highlights its uniqueness, strength, and vulnerability in light of human actions. She believes that if even half the population became genuinely conscious and lived in harmony with nature, Montenegro could transform into a true paradise, despite systemic neglect of environmental priorities.

Having transitioned from a rich background in theater, this project marks Belada-Boskovic’s first foray into film. She revealed that while her career has largely revolved around theater, film was her first choice during her studies at the Academy of Arts in Novi Sad, where she focused on both theater and film direction. Her initial love for film was rekindled during the creation of “Potop,” reminding her of its layered storytelling and the beauty of collaborative work.

Belada-Boskovic expressed confidence in Montenegro’s capacity to produce serious film projects. She acknowledged that while the market is small, it does not diminish the talent, knowledge, and professionalism present in the industry. Internal divisions and competitive feelings sometimes slow progress, but she believes that solidarity and collaboration among professionals can yield remarkable results.

In conclusion, “Potop” serves not only as a film but as a conversational piece that seeks to address pressing social and environmental issues in Montenegro. Through her work, Belada-Boskovic hopes to inspire reflection and dialogue, emphasizing the importance of listening to one another in a fragmented society.