Enthralling Revival of Fiddler on the Roof Shines in Sunderland

The revival of the iconic musical Fiddler on the Roof captivated audiences at the Sunderland Empire during its recent stop on a UK tour. This production, celebrated for its poignant narrative and vibrant performances, showcases the enduring relevance of the story of Tevye and his family in the Jewish community of Anatevka.

Originally adapted from the stories of Sholem Aleichem in 1964, Fiddler on the Roof explores themes of tradition and modernity. The current iteration, directed by Jordan Fein, has garnered attention for its thoughtful interpretation and strong performances. Fein, who has a personal connection to the material through his heritage, brings a unique perspective to this beloved classic.

The cast is led by Matthew Woodyatt, who portrays Tevye with remarkable depth. His physical presence and emotional range bring the character to life, balancing moments of humor with the weight of his struggles. Complementing him is Jodie Jacobs as Golde, whose powerful vocals and comedic timing add layers to the familial dynamic.

The three eldest daughters—Tzeitel, Chava, and Hodel—played by Natasha Jules Bernard, Hannah Bristow, and Georgia Bruce respectively, each deliver striking performances. Notably, Bristow’s portrayal of Chava culminates in a hauntingly beautiful duet with the Fiddler, marking a highlight of the production.

The musical score, performed primarily by an on-stage band, adds a rich texture to the performance. This choice reflects a growing trend in modern theatre to elevate the role of musicians, enhancing the overall experience for the audience. The Fiddler, played by the elegantly skilled Raphael Papo, serves as a poignant symbol of the Jewish community, seamlessly transitioning in and out of scenes.

Fein’s direction is complemented by the compelling design work from Tom Scutt, whose set features a movable roof that enhances the storytelling. The dramatic interplay of lighting, designed by Aideen Malone, further immerses the audience in the world of Anatevka, particularly during emotional moments such as the song “Sunrise, Sunset.”

Choreography by Julia Cheng deserves special mention, particularly for the bottle dance scene that earned enthusiastic applause from the audience. Cheng’s ability to blend traditional cultural movements with contemporary theatricality adds vibrancy to the production, making each dance number a visual feast.

As the first act concluded after a robust 90 minutes, the audience was left yearning for more, fully engaged in the narrative that unfolds within Tevye’s household. The emotional stakes of the story resonate deeply, allowing viewers to feel intimately connected to the characters and their struggles.

The Sunderland Empire’s production of Fiddler on the Roof not only celebrates a classic musical but also reinforces its relevance in today’s world. With performances continuing until November 29, 2023, audiences are encouraged to experience this extraordinary revival and witness the powerful storytelling and dynamic performances for themselves.