Printmakers Revive Timeless Techniques in Open Studios 2026

Printmakers are breathing new life into traditional techniques as part of the upcoming Open Studios West Berks and North Hants, scheduled for May 9 to 25, 2026. This initiative showcases the artistry and craftsmanship of local printmakers, including Hilary Everest, Wendy Lloyd, and Isabel Carmona, who are dedicated to preserving centuries-old methods while pushing the boundaries of their craft.

The history of printmaking dates back to the 1st century in China, where woodblock printing was first developed. By the 15th century, these early techniques had made their way to Europe, facilitated by the invention of the mechanical printing press. The advent of steam-powered presses in the 19th century further revolutionized the industry, allowing for the mass production of printed materials. However, many 20th-century artists rejected industrial-scale printing, opting instead for hand-crafted methods like etching, linocut, wood engraving, and lithography. This shift has contributed to a resurgence of interest in printmaking as a vital art form.

Hilary Everest discovered her passion for printmaking after finding a book on the subject that belonged to her uncle, a wildlife illustrator. In 2019, she completed a foundation course at Red Hot Press in Southampton, marking the start of her journey as a full-time printmaker. Everest describes the allure of printmaking as a combination of unpredictability and excitement. “Every part of the process needs to align for a piece to succeed,” she explains, highlighting the importance of factors such as ink application, carving depth, and pressure during printing. Her work, often inspired by nature, has evolved from simple monochrome prints to intricate multi-block prints and reduction linocuts.

Wendy Lloyd, based in Newbury, brings a playful approach to her printmaking. She combines techniques such as collograph, etching, and monotype with her background in textiles. “I enjoy stretching the boundaries of what print and textiles mean,” she states, adding that she draws inspiration from her surroundings, particularly coastal landscapes. Lloyd teaches at City Arts and regularly exhibits with various local art collectives, pushing the limits of her craft through constant experimentation.

Isabel Carmona’s journey from architecture to printmaking began after a colleague introduced her to collograph techniques. She describes the transformative nature of printmaking as a magical experience. Carmona developed her multiplate collograph printing method while exploring the burial mounds at Wash Common, with support from the Arts Council. Her work often reflects her urban sketching experiences, capturing the essence of a scene rather than a strict representation. Carmona plans to incorporate lithography into her work and will showcase her findings at the upcoming Open Studios.

The enthusiasm surrounding Open Studios West Berks and North Hants is palpable, as accredited artists prepare for the event. Artists interested in participating must register by November 22 to secure their place. This initiative not only demonstrates the enduring appeal of printmaking but also highlights the dedication of artists who are committed to carrying traditional techniques into the future. For more information, visit www.open-studios.org.uk.