Frank Dunlop, Visionary of the Young Vic Theatre, Dies at 98

Frank Dunlop, a prominent figure in the theatre world, passed away at the age of 98. Renowned for his visionary contributions, Dunlop founded the Young Vic Theatre in London and transformed the Edinburgh Festival during his tenure from 1984 to 1991. His influence on contemporary theatre is underscored by his innovative productions and commitment to accessible performance art.

Dunlop’s legacy is most prominently embodied in the Young Vic, established in 1970 from a repurposed butcher’s shop. He envisioned a space that would operate in tandem with the Old Vic, yet quickly cultivated its own identity. By focusing on affordable productions for young audiences, the Young Vic showcased works ranging from classic playwrights like William Shakespeare and Molière to modern masters such as Samuel Beckett and Jean Genet.

Reflecting on his dynamic personality, even in his later years, Dunlop remained engaged in theatre. One of his collaborators, Nicky Henson, remarked that the Young Vic company was akin to Dunlop’s family. This sentiment was evident during a tea gathering hosted by Dunlop, where former members of the theatre fondly reminisced about their early experiences. Stories emerged, including one from actor Ronald Pickup, who recounted a visit from renowned actor Laurence Olivier after performing in Oedipus. Olivier’s humorous critique of Pickup’s delivery underscored a nurturing atmosphere cultivated by Dunlop.

Dunlop’s impact extended beyond London. During his directorship of the Edinburgh Festival, he shifted the focus from classical music and opera to theatre, bringing international attention to the event. He orchestrated a series of international theatre seasons featuring acclaimed directors such as Ingmar Bergman from Sweden and Yukio Ninagawa from Japan. Ninagawa’s production of Macbeth has been lauded as one of the most visually stunning interpretations witnessed, complemented by his equally impressive adaptations of Medea and The Tempest.

Despite his successes, Dunlop was known for his candidness, often stirring controversy with statements about the festival’s fringe performances becoming “smug and self-satisfied.” His willingness to challenge the status quo earned him respect among journalists and theatre enthusiasts alike.

Dunlop was not only an innovative producer but also a skilled director. His work with Paul Scofield in The Captain of Köpenick at the National Theatre in 1971 showcased his ability to extract profound performances from his actors. Similarly, his direction of John Wood in an adaptation of Sherlock Holmes for the Royal Shakespeare Company highlighted Dunlop’s knack for capturing theatrical energy.

Throughout his career, Dunlop contributed to various notable projects, including the original direction of Joseph and the Amazing Technicolor Dreamcoat and the establishment of Pop Theatre with productions like The Winter’s Tale and The Trojan Women. He also played a pivotal role in launching Jim Dale as a Broadway star in Scapino.

Despite moving frequently and embracing new challenges, Dunlop’s profound influence on theatre ensures his place in its history. His dedication to creating a vibrant, accessible theatrical landscape through the Young Vic and beyond remains a testament to his enduring vision.